Category Archives: art

“L’Etoile Du Nord”

From the best international magazine in the world: Intersection.  They never fail to impress me.  More on them this week…

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the glorious Bac Mono.

There are a lot of these dedicated performance mini-track cars around; Ariel Atom, Caterham Seven, the recently featured fantastic Donkervoort, and plenty of others.

But I have yet to see one as beautiful, detailed, and as full lovely design as the Bac Mono. From the minimalist name to the beautiful sculpted bodywork—-i think this is the holy grail of these types of cars as far as i’m concerned.   Oh and the interior and pedals can be fitted to suit the size of the buyer.

The Bac Mono starts for around $80k GBP in the UK—however it’s been announced the car will be on sale in the US next year.  Prices for the US market have not been announced as of yet. It’s a fairly new company, started in 2009 out of the UK.  Obviously I haven’t driven one…..but take a look at the numbers:

more details at: http://bac-mono.com/

Overall width 1800mm
Overall length 3952mm
Height 1110mm
Wheelbase 2565mm
Ground clearance 100 mm (f) 110 mm (r)
Kerb weight 540kg
Power to weight 520 bhp per tonne
Weight distribution f/r 48% / 52%
Maximum speed 170 mph
0-60 mph 2.8 secs
Maximum power 280 bhp at 7700 rpm
Maximum torque 280 Nm at 6000rpm
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Lancia Aurelia B20 Coupe.

in an ideal ‘dream car’ garage, i would definitely have one of these in my garage—the glorious 1954 Lancia Aurelia (B20) Coupe.

The two tone colours on this one is interesting, although I think i’d like a plain black one even more!

 

source: Bold Ride

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foto of the day. quattros.

what a car…what a pic.  these days i’m yearning for a Ur quattro more than ever…

(sorry about the quality of this photo….it’s pixelated, but too good not to post!)

sourced from audi sport and edited to remove a couple of heads.

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foto of the day. A310

beautiful.

taken by BCS Tito

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Audi 90 IMSA GTO and Trans-am 200 quattro prints.

I can never get enough of the Audi 90 IMSA GTO, and these beautiful prints were done by an artist named Colin Carter.  They are available to purchase in print form, autographed by Hurley Haywood, Hans Stuck, and the artist for a reasonable $69.

Eurospecsport

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Bertone (Alfa) Carabo.

I can’t think of another car where the LOGO of the model would match the shape of the car!  Marcello Gandini’s 1968 cutting edge, wedge shaped Bertone Carabo had exactly that though!

Bertone’s comment on the car:

At the end of the 1960′s Bertone focussed his creative energies on prototypes. The Turin designer’s creativity and daring reached its peak in 1968 with the Carabo, which was presented at the Paris Motor Show in October.

Built on the Alfa Romeo 33 chassis with a centrally-mounted engine, it became a style classic, known for its creativity and original features, some of which contribute to its legendary standing.

Design features like its tight lines, tapering front blending in seamlessly with the windscreen, and the air inlets and outlets.

And the original door mechanism, with doors opening upwards and forwards (a concept which reappears on the production Countach), and even the novel colour: iridescent green like a beetle (hence the name Carabo, in Italian, a type of beetle).”

(from Carbodydesign)

Let’s also not forget that the Carabo brought the world “scissor doors”….which was mostly a positive innovation, however often a negative one when it’s seen on 1987 Hondas parked at 7-11!

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artist of the day. Kaka 22.

I quite enjoy these coloured pencil sketches, from the Deviant Art page of Kaka 22

(shame about the big watermarks on them though….)

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ties for men.

It’s amazing that last month I was pondering why there aren’t more ties devoted to motoring and motoring history, and then my friend Xander introduces a couple of ties doing exactly that with his marque of Strassenversion!  Of course i’ve raved about his artwork in the past, which was then turned into some supercool t-shirts—-and now he’s launched neck ties which interest me greatly—especially since I wear ties quite often to my work at the hospital.

information about ordering: http://strassenversion.net/apparel.html

One of them is a GP tribute, while the other one appears to be a Stratos Zero concept!  Nicely done indeed!  I want the Stratos one.

 

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interior of the day. Bertone Corvair Testudo

This car recently sold in that Bertone concept auction for 336k Euros, but the 1963 Bertone designed Chevy Corvair Testudo concept had one supercrazy interior.  Wow.

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interior for a madman.

This one!

It’s from the 1978 Lancia Sibilo Concept, designed by Bertone. What are those red and orange buttons!?

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Lost plans: Auto Union Type 52 supercar.

I found these fascinating pictures and words in regards to Ferdinand Porsche proposing plans for a central cockpit rear-engined supercar based off of the winning Grand Prix cars of the time—-sound familiar Gordon Murray of McLaren F1 fame?  So in 1933, Porsche decided he wanted Auto Union to build the fastest, most insane, 4.4 Liter V16 200hp road car able to carry 3 people (including driver), have a centrally seated driver, and with the Auto Union race car engine pounding away in the rear-end of the car.  That idea and drawings were labeled P52 or “Type 52” in 1934.  The 200hp engine would have been a ‘detuned’ version of the 295hp engine in the GP car.  I’m a little bit confused about the total number of seats in the sketches, as some of the pics show 2 passenger seats, while the Komenda sketches above look like there may be a backseat there as well.

Surely this car was a sign of things to come from Porsche—-and as they say, the best ideas are often attempted many times before they actually take off, as i’ve seen in regards to Ferdinand Porsche’s story time and time again.

Here are some original drawings made by Dr. Erwin Komenda (designer of the Auto Union GP cars!)

some more information:

“By early 1934, the road car project had been given its own identity and was designated typ 52. Komenda’s chassis drawings show he had added a longitudinal framework to which the body and large twin exhausts could be fixed. Hubs have also been drawn either side of the V16 to carry spare wheels, presumably in order to afford some luggage space in the rear of the body. The tyres on the road car were to be 5.50×20 all round, rather than the differently sized rubber of the racer.

Although the engine capacity of the Typ 52 was to remain at 4.4 litres (supercharged) the power was to he reduced from the racer’s 295bhp at 450Orpm to a more manageable 200bhp at 3650 rpm. This, the Porsche design team believed, would give the sports car a maximum speed of 125mph in fifth gear and a 0 60mph time of around 8.5 secs, a quite sensational performance for 1934

The limousine would not have been much slower; to put things in perspective it’s worth looking at the performance of what would have been the Typ 52 five seater’s main rival in the mid ’30s*the Mercedes Benz 540K. This behemoth weighed in at a colossal 57121bs, whereas the planned weight of the sports Auto Union was only 38581bs. Even the limousine would still have been a lightweight compared with the Mercedes. To propel its massive 54OK’s 5.4 1itre, straight eight engine managed a paltry 115bhp and an unremarkable 180bhp when the supercharger was engaged.

In 1938 The Autocar tested a 540K, and managed a maximum speed of 104 with an 0-60mph time of 16.4 secs. The Auto Union would have blown the Mercedes away. ( not only, due to its vastly superior power to weight ratio, but also because, aerodynamically, the former would have been as sleek as a speedboat, whereas the Mercedes, was like a galleon set to royals.

Sadly, the Typ 52 project fizzled, and today no one quite knows why. Once Auto Union’s racing programme was under way Porsche’s design team had to concentrate their efforts upon that, but there’s no doubt* the typ 52 could have been built by any one of the four Auto Union member companies, had the will been there.

On the race tracks it soon became clear that Professor Porsche’s mid engine required a special talent to get the best out of it, and it was not until 1935 that an old maestro named Achille Varzi and a young wunderkind named Bernd Rosemeyer managed to do that. It is quite possible, therefore, that Professor Porsche decided his road car would be too much for ordinary mortals to handle, even in detuned condition.

Whatever the reason, the Typ 52 project was allowed quietly to die and the motoring world has had to wait for years for its like* *the McLaren F1, designed by Gordon Murray* to appear. However, had the roadgoing Auto Union been built, we can be sure that our friend Bernd Rosemeyer would have demanded the first off the line. He was like a son to Professor Porsche, who would surely have denied him virtually nothing, recognising the value of having his star driver and his wife seen driving around Europe in his sensational new creation.

We can be equally sure that Bernd wouldn’t have been content with the 200bhp engine that the Professor had in mind for the Typ 52 By 1936 the size of the Auto Union V16 had been increased to 6 litres and the power had gone up to an impressive 520bhp. No doubt Bernd would have insisted upon having at least 450bhp under his right foot, and that would have been Rosemeyer’s Baby!”

(from SMcars.net and the story here)

The following artwork was commissioned by Classic and Sportscar (1984) and is by technical artist Brian Nation to attempt to recreate what a full plan of the Type 52 would have looked like if they had continued with the plan:

I can’t help but wonder if this car would have been produced—-how big of a shift in standards it may have led to—or maybe it would have just been resigned into the world of ‘unattainable low production failures’ as so many great machines have done so in the past.  Regardless, the story is fascinating….as are most stories about the development of old-school petrol pumping iron.

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artist of the day.

I found these stellar manga style automotive art/drawings on DeviantArt with the artist being known as teardrop-sidemarker (aka Will Kingstone).  Very cool stuff…

 

 

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foto of the day. Lambos.

the original gangstas!  Espada, Miura, and Jarama.  This photo is from original publicity materials sent out by Lambo back in the day.

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art of the day. D-Type.

the legendary Jaguar D-Type…..in blueprint form

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Art of the day. 356.

1963 Porsche 356 cutaway drawing.

source: Ausmotive

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video of the day. Fulvia orgy.

I have tried for many years to shake my desires to want a Lancia Fulvia—-but nothing works.  It still creeps up in my head all of the time.

This video doesn’t help my lust for one. Wow.

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the beauty of the TT.

The MK1 Audi TT is just all types of wonderful.  I’m not just saying that because I have one in the garage—-but because before I got my car—-i fantasized day and night about it, sort of how I fantasize day and night about the Alpine A110 and ur quattro now.  The TT is more than a car, it is true art—-representing a point where history met with the modern world—–technology fell in love with the vintage.   It could have been produced in 1965, or it could have been produced in 2005.

These photos are not of my car, however I stumbled across them looking at photos on Flickr.  These are taken by Chun Yi of his impeccable 2000 225.


 

 

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